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Essay/Term paper: The tyger

Essay, term paper, research paper:  Position Papers

Free essays available online are good but they will not follow the guidelines of your particular writing assignment. If you need a custom term paper on Position Papers: The Tyger, you can hire a professional writer here to write you a high quality authentic essay. While free essays can be traced by Turnitin (plagiarism detection program), our custom written essays will pass any plagiarism test. Our writing service will save you time and grade.



"The Tyger" Ana Melching

5-8-99

Does god create both gentle and fearful creatures? If he does



what right does he have? Both of these rhetorical questions are



asked by William Blake in his poem "The Tyger." The poem takes



the reader on a journey of faith, questioning god and his nature. The poem



completes a cycle of questioning the creator of the tyger, discussing how it



could have been created, and then returns to questioning the creator again.



Both questions about the tyger"s creator are left unanswered. William Blake



uses rhythm, rhyme, and poetic devices to create a unique effect and to



parallel his theme in his work "The Tyger."



William Blake"s choice of rhythm is important to his poem



"The Tyger" because it parallels the theme of the poem, that the



tyger may have been made by god or another harsher creator. Most



of the poem is written in trochaic tetrameter as can be seen in line



three, when Blake says, "What immortal hand or eye." This rhythm is



very harsh sounding, exemplifying the very nature of the tyger.



Some of the lines in the poem were written in iambic tetrameter,



such as in line ten, when Blake says, "Could twist the sinews of thy heart? ."



Iambic tetrameter has a much softer sounding beat



than does trochaic tetrameter. This implies the gentle nature of



god, and if he could create such a beast. The last word of each



quatrain is written in a spondee. This helps to create a unique symmetry



and to parallel the "fearful symmetry" of a tyger.





William Blake"s use of rhyme greatly affects his work "The



Tyger." The entire poem is written in couplets. Couplets contain



two lines, paralleling the dichotomy of the poem, that everything



has two sides or parts. The rhyme scheme is AA BB CC etc. Because the



rhyming words are so distinguishable from the non-rhyming words, they



form two separate categories, which also parallels the dichotomy of the



poem.



William Blake"s choice of poetic devices greatly affect his



work "The Tyger." He uses cacophony, which is a rough sounding group of



words, to exemplify the brute nature of the tyger and to wonder if it was



made in hell by an evil creator. This can be seen in line sixteen when he



says, "Dare its deadly terrors clasp." This line sounds unpleasant and harsh



to the ears. William Blake uses euphony, which is a smooth sounding group



of words, to show the gentle nature of god and to wonder if he created the



tyger. This can be seen in line twenty when he says "Did he who made the



lamb make thee?" This line sounds soft and pleasing to the ears. William



Blake uses alliteration and assonance to make his words seem harsh or soft.



He uses alliteration, which is the repetition of identical consonants to make



his words seem harsh as in "distant deeps" or "dare the deadly." This



emphasizes the tiger"s rough nature, and questions the nature of it"s creator.



He also uses assonance, which is the repetition of identical vowel sounds, in



lines ten and eleven when he says "twist the sinews", and "began to beat."



This emphasizes the good nature of god.



William Blake never answers his question about the



unknown nature of god. He leaves it up to the reader to decide.



By beginning and ending his poem with the same quatrain he asks



the question about god creating evil as well as good, again. By changing one



word from "could" to "dare" he states that if god truly did create this beast, the



tyger, then how dare he. This also helps to give the poem a formal completeness.



By switching his rhythm from trochaic to iambic, Blake shows the two



possible natures of god, or of the two creators. By using couplets



he emphasizes the dichotomy of the poem. By using poetic devices



such as euphony, cacophony, assonance, and alliteration he can



further develop his question about the nature of god, gentle, or



harsh. His rhetorical questions are left unanswered. By doing this



he leaves his readers wondering, "Is there really an answer?"

 

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